Description
ABOUT THE ITEM
DIMENSIONS
H: 25 cm; D: 22 cm
BASE: H: 3,5 cm; D: 20 cm
MATERIALS AND TECHNIQUES
CHINESE PORCELAIN
PLACE OF ORIGIN
CHINA
PERIOD
20 century
CONDITION
EXCELLENT
Excellent reproduction of old tibor Chinese porcelain green family. The term “green family” (famille verte) refers to a specific style of porcelain decoration that emerged during the Kangxi period (1662–1722) of the Qing Dynasty.
HISTORY
The tibor, a large, lidded jar with an elegant silhouette, has a long and storied history in Chinese porcelain craftsmanship. Famille verte porcelain is characterized by its vibrant palette of translucent green, yellow, and aubergine enamels, often complemented by intricate black and red detailing. These jars were originally crafted as both decorative and functional items, used to store food, tea, or ceremonial items. Over time, they became highly sought-after export wares, admired for their delicate artistry and vibrant designs.
The designs on famille verte porcelain are steeped in Chinese symbolism and cultural heritage. Common motifs include flowers, birds, and landscapes, representing themes such as prosperity, harmony, and longevity. During the 17th and 18th centuries, the production of famille verte porcelain reached its zenith in the imperial kilns of Jingdezhen, the “Porcelain Capital” of China. These items were prized not only in China but also across Europe, where they were often displayed as luxury items in aristocratic homes. The tibor, in particular, became a popular form for export due to its striking shape and decorative potential.
By the mid-20th century, the enduring popularity of Chinese porcelain inspired artisans to create high-quality reproductions of famille verte designs. The reproduction tibor from the 1950s–60s reflects the timeless appeal of these traditional forms while catering to a global market fascinated by Chinese decorative arts. These reproductions maintained the characteristic green palette and intricate hand-painted motifs, often adhering closely to historical designs. While not as old as their Qing Dynasty counterparts, these mid-century reproductions were crafted with attention to detail and often incorporated traditional methods and materials.
Today, reproduction famille verte tibors from the 1950s–60s are valued as decorative pieces that capture the essence of Qing-era porcelain. They represent an important period in the revival of Chinese porcelain artistry, bridging the gap between historical craftsmanship and modern appreciation. Collectors and enthusiasts admire these pieces for their beauty, cultural significance, and the way they honor the legacy of one of the most celebrated styles in Chinese ceramics.